Ken Johnston, Bret Sheppard ~ 02/14/16 ~ Sacred Matrix ~ Revolution Radio

Ken Johnston KENS MOON COVER FOR GUMROAD(Hosts Janet Kira Lessin & Dr. Sasha Lessin interview Bret Colin Shepphard & Ken Johnston on the Sacred Matrix on Revolution Radio (www.freedomslips.com), Studio B on Sunday, February 14, 2016 from 8 to 10 PM Eastern time.

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Today we discuss KEN’s MOON Books, Anomalies, experiences the UFO Congress event and how Team KEN’s MOON got together for this project.
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Just in time for the show, we have a free short ebook on Ken’s site with some great anomalies for people to see.

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QUESTIONS & TALKING POINTS FOR KEN AND BRET
    • Ken: How did Team Ken’s Moon come together?
    • Who are the members of the team?
    • Ken: What are the projects we are working on?
    • Bret: How and Why is it that the public’s perceptions have been altered or manipulated about space?
    • Ken and Bret: Describe Ken’s Archive and why it’s important.
    • Bret: What is this new free document “Lunar Anomalies: A Report” and how can people get a copy.
    • Ken, describe the incident with Dr. Thorton Page and the “strippers” incident?
    • Ken: What is the Brookings report and why is it important?
    • Bret, what are the main methods used to alter NASA photos in the past and now?
    • Ken and Bret: Where can people get more information from you both?

Dr. R. Ken Johnston, Sr. ~ Bio

Dr. R. Ken Johnston, Sr. one of 4 Civilian Astronaut Consultant Pilots from the Ken Johnston KEN SUITApollo Moon Program, is a retired aerospace engineer, US Marine, and “NASA Whistleblower.” He refused to strictly follow orders and destroy a nearly-complete collection of 8″ x 10″ glossy photo-prints from the Apollo program, photos that are not available from NASA at this time and are of a higher resolution than what is found online.  Johnston was born Fort Sam Houston US Army Air Base in San Antonio, TX. 1942, and studied at Oklahoma City University. He enlisted in the US Marines in August, 1962 and reported to Pensacola as a Marine cadet for flight training in September 1964. He left the Marines in August 1966.

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Johnston was hired by Grumman Aircraft as pilot with an avionics background to become a principal contractor for the Apollo Lunar Module to assist with cockpit and instrument development and training in Houston. He has described his status at that time as a “civilian astronaut consultant pilot.” Ken Johnston worked as a contractor from 1969 to 1972, during the Apollo Program, and he was employed by Brown & Root, principal contractors to NASA for management of the Lunar Receiving Laboratory, where all the moon rocks were stored, curated, cataloged and, in some cases, distributed to scientists who had successfully applied to carry out analysis in their own labs.
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An important part of Johnston‘s duty was to package and ship lunar samples to science labs, together with photographs documenting their exact location and orientation in situ. As such, he had in his office several sets of photographs taken by Apollo astronauts with their chest-mounted Hasselblad cameras. When the moon rock distribution wound down, he was instructed by Bud Laskawa, his boss, to destroy what remained of the photo archive, but Johnston kept one set as a personal collection for a work portfolio.
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Johnston applied to NASA for the 1977 astronaut selection for duty as a Space Shuttle astronaut, but was turned down because NASA wanted the astronauts to be PhD level scientists. The ideal astronaut was no longer a jet-jock, but men with scientific accreditation. Johnston applied when NASA was recruiting again, Johnston says he was considered too old. He did, however, join NASA’s educational outreach program as a “Solar System Ambassador” traveling and speaking to civic and youth groups about space exploration and careers in engineering and science.
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See more at: http://aquarianradio.com/guests-2/dr-r-ken-johnston-sr-bio/#sthash.tZ0qnml9.dpuf

Bret Colin Sheppard ~ Bio
bret sheppardIn 1982, Bret Colin Sheppard was 15 years of age and an aspiring art student, when he was asked to stay after school with another art student and view a slide show presentation of some very strange art. The woman who showed him this art was from SRI, Stanford Research Institute and Bret felt a strange sense of deja’ vu as he was shown the images. Bret has a photographic memory, so he cannot forget what he has seen.

Bret went on to have a professional career in art, his art style being of a surrealistic type, a dreamscape of the mind. Years later, Bret is strangely compelled to pursue research into photographic images of the moon. He creates the Lunar Anomaly Research Society and, along with other anomalists, pursues observing lunar imagery looking for structures, unnatural architecture and other types of anomalies.

One day, Bret is confronted with an image that stirs his memory and he realizes he is looking at an image that he remembers seeing as a teenager in that darkened room. This sends him on a quest, looking for more of this surreal, embedded imagery that is found in hundreds of space mission photographs. Over time, Bret becomes convinced he is seeing what may be extraterrestrial or extradimensional (ET/ED) beings in contact with humanity who communicate using picture puzzles embedded into space photographs using advanced holographic techniques.

Ken Johnston ken's moon mission reports coverBret discovers hundreds of images that are strange, have themes and complexity going beyond mere “paradolia” or seeing random patterns. At first, he shares this with his Lunar Anomaly Research Society (LARS) cohorts.  Karen Christine Patrick, Bret’s writing and research partner, helps to uncover the mystery of these images as an astonishing paranormal paradox, suggesting that the imagery Bret has painstakingly illustrated quite possibly is Bret’s own work, made into a slide show and sent back to his teenager self for him to see in 1982. The collection of these images may be, in fact, a body of work sent back in time.

As Bret works to make the images easier for others to see, he educates himself on nearly all the NASA public databases, NASA historical processes for early missions, digital manipulation of images by space agencies and more, becoming an expert image analyst that other researchers turn to for advice.

Bret and Karen are the authors of PARADIMENSIONAL SPACE ART, a book about Bret and his discoveries. http://tinyurl.com/spaceartebook

At first, he shares this with his Lunar Anomaly Research Society (LARS) cohorts.  Karen Christine Patrick, Bret’s writing and research partner, helps to uncover the mystery of these images as an astonishing paranormal paradox, suggesting that the imagery Bret has painstakingly illustrated quite possibly is Bret’s own work, made into a slide show and sent back to his teenager self for him to see in 1982. The collection of these images may be, in fact, a body of work sent back in time.

See more at: http://aquarianradio.com/guests-2/bret-colin-sheppard-bio/#sthash.ic5GdCsA.dpuf

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